Dimensions: support: 2051 x 1359 mm frame: 2320 x 1635 x 105 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Here we have an imposing portrait of William Style of Langley, painted by an artist from the British School in the 17th century. It's quite large, over two meters tall. Editor: It’s visually striking, isn’t it? That checkered floor immediately catches the eye, giving the whole scene an almost theatrical feel. Curator: Indeed. Consider the context of the 17th century, a time defined by rigid social hierarchies. Style’s confident pose and luxurious attire speak volumes about his status and aspirations within that society. Editor: And the details! The lace, the velvet, even the way the light catches on his boots—it all points to a society deeply invested in displays of wealth and labor. How were these materials sourced and produced? Who crafted them? Curator: These are important questions. Style's portrait is about more than just him as an individual; it’s a reflection of a society grappling with profound changes and power dynamics. Editor: Absolutely. You can almost hear the whispers of the working class in the rustle of his opulent clothing. Curator: This work provides insights into both the individual and the collective. Editor: Precisely, it's the interplay between the hand that created and the figure represented that I find so compelling.
http://www.tate.org.uk/art/artworks/british-school-17th-century-portrait-of-william-style-of-langley-t02308
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William Style was a lawyer involved in the Counter-Reformation religious movement and his portrait is full of symbolic elements. The emblem on the floor and its motto proclaim that the human heart cannot be satisfied by worldly matters but burns for the spiritual life. Style rejects the trappings of his earthly life, represented by his family arms set in the window, by his books and writings and by the small violin. Instead, he moves towards the Church, symbolised by a closed garden, beyond which lies a pagan wilderness, including a classical ruin. Gallery label, July 2024