Portret van Jacob Heilbrunner op 65-jarige leeftijd by Lucas Kilian

Portret van Jacob Heilbrunner op 65-jarige leeftijd 1603 - 1637

print, engraving

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portrait

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baroque

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print

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old engraving style

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19th century

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northern-renaissance

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engraving

Editor: This engraving, "Portret van Jacob Heilbrunner op 65-jarige leeftijd" by Lucas Kilian, dating from between 1603 and 1637, has such a formal and serious mood. He seems like such a powerful figure. How do you interpret this work? Curator: Well, consider the historical context. The image situates Jacob Heilbrunner within a complex web of religious and intellectual authority at a time of great social upheaval, right? Think of the Reformation and the consolidation of confessional identities. The very act of commissioning and circulating such a portrait was a statement. What do you see in his expression, considering this? Editor: I guess he looks confident, maybe even a little imposing. The ruffled collar and elaborate coat, along with the text surrounding the portrait, all emphasize his status. Curator: Exactly. The details in his clothing speak to wealth and status, yet are constrained and muted in colour and detail which may signal an allegiance to simplicity associated with religious belief. Also, the book he holds signals theological knowledge, contributing to an image carefully crafted to project authority. How does this compare to contemporary portrayals of religious or political leaders? Editor: It feels much more… contained. More about conveying intellectual and spiritual authority rather than raw power or charisma. I wonder, was this image meant for a wide audience or a more select group? Curator: It likely circulated within academic and religious circles, reinforcing Heilbrunner’s position within those networks. Considering the Latin text included, the engraving could signal an international reach of knowledge production. This work highlights the importance of understanding how portraits operate not just as representations of individuals, but also as active participants in shaping their identities and influence. Editor: That’s fascinating. I never considered the agency that portraits could have. Thanks so much! Curator: My pleasure, I also find myself enriched by our conversation.

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