Head of Walter Nelson 1932

Editor: This is Denman Waldo Ross’s “Head of Walter Nelson,” a pencil drawing at the Harvard Art Museums. It looks like a study with all the grid lines. What's your take on it? Curator: It's interesting to see Ross engaging with a seemingly academic exercise. The grid suggests a desire for order, but it also reveals the constraints of representation within established systems. How does the rigid structure affect your perception of the subject, Walter Nelson? Editor: It makes it feel impersonal, more about technique than capturing a person. Curator: Exactly. It highlights the power structures inherent in portraiture. Ross isn't simply depicting Nelson; he's also demonstrating a specific method, reinforcing art's institutional framework. Editor: I hadn't thought about the power dynamic. Thanks! Curator: My pleasure. Art reveals society, even in the subtlest of lines.