Fotoreproductie van een schilderij van een engel met brandende fakkel en zwaard by Laurens Lodewijk Kleijn

Fotoreproductie van een schilderij van een engel met brandende fakkel en zwaard c. 1865 - 1900

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photography, gelatin-silver-print

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portrait

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photography

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gelatin-silver-print

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symbolism

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history-painting

Dimensions height 210 mm, width 130 mm

Curator: This is a photo reproduction of a painting—dating roughly between 1865 and 1900—depicting an angel with a rather dramatic ensemble of weaponry. Gelatin silver print, in case you're wondering about the photographic process. Editor: A fierce beauty! Is it just me, or does this photograph exude an almost ominous, otherworldly power? The angel is strikingly framed, floating with undeniable purpose. A harbinger, maybe? Curator: Well, given the period, history painting with symbolic elements like that would certainly speak to ideas of moral authority. Notice the flaming torch in one hand, and a rather sharp looking sword in the other. These aren't exactly symbols of peace. Editor: No, definitely not. But it's interesting to see them juxtaposed against her almost ethereal presentation. She feels strangely weightless despite carrying these formidable objects. Almost a ballet dancer frozen in time! Is there some hidden symbolism in the dichotomy of beauty and weaponry? Curator: It wouldn't be unusual. Think about the late 19th century and the visual language being deployed around empire, around justice, around national identity. Angels are powerful visual shorthand and the inclusion of weaponry signals righteous might. Editor: Hmm. Makes you think about how that "righteous might" has played out through history. Who defines what’s "righteous", and for whom is this angel wielding that sword? It feels unsettlingly relevant today too. Curator: Precisely the point. Artworks like this prompt critical reflection on history, power, and visual narratives. The photograph is more than just an image, it's an artifact of an era grappling with those ideas. Editor: I'm definitely taking away more than I expected. That initial "fierce beauty" feeling is now layered with some very challenging questions about authority and perception. It definitely makes you question your first take on the image. Curator: That's the real power of art, isn’t it? Shifting perspectives, stirring thought and emotion, long after its creation. Editor: Indeed. A powerful messenger frozen in monochrome, leaving me with burning questions of morality.

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