Plate 103: Neptune Sending a Deluge to Troy (Neptunus ob violatum a Laomendonte pactum eluviem Troianis agris immittit), from Ovid's 'Metamorphoses' 1606

Curator: This is Antonio Tempesta’s "Plate 103: Neptune Sending a Deluge to Troy," created in 1606. The engraving depicts a scene from Ovid’s 'Metamorphoses' and it's currently housed here at the Metropolitan Museum of Art. Editor: Immediately, I'm struck by the chaos, a tempest within Tempesta, perhaps! Neptune, riding some monstrous seahorse thing, seems to relish his destructive power, doesn't he? Curator: The composition certainly conveys a sense of Baroque drama. The artist masterfully uses line and perspective to depict the overwhelming flood engulfing the city. Notice the intricate details, from the architectural rendering of Troy to Neptune's muscular physique. Editor: He really sells the deluge; you can practically taste the salt spray. But it also makes me think about broken promises. Laomedon welched on a deal, and now, watery vengeance. Does justice always need such a heavy hand, or in this case, a heavy trident? Curator: Indeed. The image is a powerful representation of divine retribution, steeped in classical mythology. The very lines are fraught with tension. Also note that Tempesta has woven the narrative expertly into the landscape. Editor: It's fascinating how the baroque, with its fondness for theatricality, dovetails with the almost operatic drama of Ovid. Neptune, that archetypal brooding god, becomes this imposing figure. Do you think Tempesta felt some sympathy for Troy? I sense a bit of melancholy. Curator: An interesting perspective! While Tempesta adheres to the conventions of historical narrative, one could argue the depiction of the inundated city invites reflection on human fallibility versus inexorable fate. Editor: There is definitely a looming mood about our place in the great chain of events, or should I say the flood of them. From that tiny plate, you almost hear the roar and the city tumbling down. Well, it’s been enlightening parsing all the watery allegory today. Curator: Quite. This print invites contemplation on themes of power, responsibility, and the delicate balance between humanity and the divine as channeled through masterful technique.