Uiltje of nachtvlinder by Jan Augustin van der Goes

Uiltje of nachtvlinder 1690 - 1700

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drawing, oil-paint, paper, pencil

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drawing

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baroque

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oil-paint

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paper

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oil painting

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coloured pencil

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pencil

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watercolour illustration

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genre-painting

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miniature

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watercolor

Copyright: Rijks Museum: Open Domain

Curator: There's something intensely mesmerizing about this tiny world Jan Augustin van der Goes created sometime between 1690 and 1700. This watercolor, pencil, and oil-paint piece titled "Uiltje of nachtvlinder," showcases a moth against a striking dark background. It’s like a jewel, isn't it? Editor: Indeed. My immediate impression is of nocturnal stillness, but also this intriguing vibrancy radiating from the moth itself. The sharp, fine details of its wings, like miniature stained glass… Curator: Precisely! That tension, the juxtaposition of darkness and illuminated detail, makes me wonder what van der Goes was trying to convey. Moths, historically, carry such a load of symbolic baggage. Editor: Oh, absolutely. The moth has long been a potent symbol—transformative power but also, vanity, deception, and hidden knowledge. Placing it against that void really pushes those themes to the fore. This rendering presents the moth as something drawn towards a distant and undefinable light. Curator: I love that interpretation! And look at how the baroque style informs the composition: there's almost a theatrical lighting effect, spotlighting the subject and heightening the drama. I am also interested about how that red tone in the moth brings an element of excitement, of hidden sensuality almost. Editor: I agree, although some may read that intense use of red in its thorax, a detail that can signify not only vitality and passion, but also the forewarning of death and destruction. And moths as representatives of the soul, embarking on its obscure journey, is hard to forget. Curator: And yet, the rendering itself feels so intimate. Given the size, I almost feel I am spying on this mysterious nocturnal creature. It's quite arresting to see it immortalized like this! Editor: Yes, as if we are granted access to this creature's ephemeral life in a timeless form. What does that imply? Maybe even the moth's transformation itself is something perennial, happening eternally, always anew? Curator: That is beautifully put! It enriches the image even more now for me, especially thinking of van der Goes pouring all his creativity to eternalize an element from a small natural lifeform. Editor: Precisely! And to think how much symbology a tiny artwork can gather when someone dedicates a little time... It transforms our entire experience with this "Uiltje of nachtvlinder."

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