Dimensions 42.0 x 62.9 x min. 0.7 cm
Paulus Constantijn la Fargue painted ‘The Haarlem Gate in Leyden as Seen From the City’ with oil on wood in the second half of the 18th century. It depicts the entrance to the Dutch city of Leiden through the Haarlem Gate, framing daily life against the backdrop of its architectural features. Painted during the Dutch Golden Age, this image encapsulates the era's mercantile success and civic pride through its emphasis on urban views. The gate itself, a physical and symbolic threshold, embodies the city’s regulation of commerce and movement. Note how the artist carefully details the architecture and bustling street life, reflecting an emergent sense of place and community. The tranquil canal and daily activities depicted along the shore underscore the city’s dependence on its waterways for trade and transport. To truly understand a painting like this, we might look into city archives, period maps, and economic data to flesh out the historical context and to interpret the scene, as well as to find out more about the gate itself.
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