Studies of Figures 1660 - 1670

Antonio Busca rendered "Studies of Figures" in the mid-17th century using pen and brown ink with brown wash over black chalk. The artwork presents a window into the artistic practices of Baroque Italy, a period marked by dramatic and expressive forms of artmaking, often commissioned by the Catholic Church. We see the figures captured in dynamic poses. Busca was likely exploring their emotional responses and physical forms for a larger, history painting. The use of primarily male figures reflects the gendered dynamics of the art world at the time. Women artists were largely excluded from formal training and recognition. Religious and mythological narratives also provided a socially sanctioned space for exploring male subjects and relationships. Busca's study not only advances his artistic skill, but also offers a glimpse into the prevailing social and cultural values of his time. It reminds us of the stories that were told and those that were left untold.