Si amanece; nos Vamos. 1796 - 1797

Curator: This print is by Francisco de Goya, from a series titled "Los Caprichos." This particular etching, made between 1796 and 1797, is titled "Si amanece; nos Vamos" – If it dawns, we'll leave. Editor: Oh, there's something unsettling, yet humorous about it. They’re grotesque, like figures from a nightmare, clustered beneath this expanse of tiny etched stars, yet the words imply a certain... hope for escape? It’s beautifully rendered and darkly funny! Curator: The etching process itself lends to the overall tone, don’t you think? Goya masterfully manipulates line and texture to convey the anxiety and moral decay present in Spanish society at the time. Consider the materiality; acid biting into metal to create these figures. A powerful medium to create sharp critiques. Editor: Absolutely! It feels so raw, and direct. I can almost feel Goya's hand moving, deciding where to apply the acid resist and where to let the darkness bloom. There is something intensely personal in that process of the biting, a perfect way to translate the bitter truths about what it reveals about human nature! Curator: Indeed. "Los Caprichos" was a critical commentary, addressing everything from superstition to corruption. He challenged social and political norms of 18th century Spain through what some called caricature, but it’s truly piercing social commentary. Editor: That title… it gives it a punch, doesn't it? Like these monstrous characters are up to no good, or maybe are escaping their own demons, huddled and scared. Makes me wonder what Goya was running from, or warning us about! It’s evocative and somehow relatable. It is beautiful, honest. Curator: And remember, prints democratized art. The etching process allowed multiple impressions to be made, meaning wider audiences encountered Goya's critical lens and responded to his questioning. It brought a consciousness, a shift in how one thought of power at the time. Editor: Goya creates art not just to be passively looked at but actively considered; what these dark figures can illuminate about ourselves when daylight comes. Curator: Ultimately, "Si amanece; nos Vamos," embodies the power of art as a tool for both individual expression and cultural critique. Editor: It certainly sparks dialogue – both about the materials used and the monsters it dares to capture and show to our faces, don’t you agree?