Tug Wilson, from the Celebrities and Prizefighters series (N174) for Old Judge Cigarettes by Goodwin & Company

Tug Wilson, from the Celebrities and Prizefighters series (N174) for Old Judge Cigarettes 1887 - 1888

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drawing, print, photography

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portrait

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drawing

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print

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old engraving style

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photography

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pencil drawing

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genre-painting

Dimensions sheet: 2 11/16 x 1 3/8 in. (6.9 x 3.5 cm)

Curator: Here we have "Tug Wilson, from the Celebrities and Prizefighters series (N174) for Old Judge Cigarettes." This print, dating from 1887 to 1888, showcases a boxer in what appears to be a staged photograph designed for mass consumption. Editor: The sepia tone gives it a sense of antiquity. There’s something powerful yet vulnerable about the boxer’s stance, hands up but not quite ready to strike. Almost theatrical, isn’t it? Curator: Precisely. These cards were produced during a surge of interest in boxing and celebrity culture. Goodwin & Company used photography to capitalize on the popularity of these figures, distributing them with their Old Judge Cigarettes. Think of it as early sports marketing. Editor: So, a modern-day trading card then? I notice the slightly blurred trees in the background. The entire image feels infused with a potent combination of toughness and a staged vulnerability, typical of the late 19th-century masculine ideal. Boxing itself was a spectacle, full of ritual and codified roles. Curator: It's more complex than simple promotion, though. These images entered the cultural lexicon, shaping perceptions of athleticism and celebrity. They served as artifacts, circulating through society and building narratives. They also offer a lens into social mobility, and the role of entertainment and sports for recent immigrants to America. Editor: Absolutely. It reveals how constructed imagery contributes to collective identities and the values of an era. This card shows how heroes, often working-class individuals like Wilson, became commodities through a nascent advertising industry. Curator: Indeed, and looking closely at his outfit we notice even these clothes are symbolic. So a small card holds so much social, political, and historical material. Editor: It really speaks to the power of the visual image to carry multiple layers of meaning. I find the mix of brutality and intentional construction fascinating!

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