Andiron (one of pair) by Mildred Ford

Andiron (one of pair) c. 1936

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drawing, pencil

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drawing

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figuration

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pencil drawing

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pencil

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academic-art

Dimensions: overall: 27.3 x 21.6 cm (10 3/4 x 8 1/2 in.) Original IAD Object: 11 1/2" high

Copyright: National Gallery of Art: CC0 1.0

Curator: Good morning. We're standing before Mildred Ford's pencil drawing, "Andiron (one of pair)," created around 1936. What are your initial thoughts? Editor: The first thing that strikes me is the subject; the drawing style suggests something quite traditional, even academic, but the abstracted, almost totemic form hints at something more...primal, perhaps. The contrast is really interesting. Curator: Indeed. Ford masterfully employs varied densities of shading to sculpt the figure, giving it a palpable sense of volume despite being rendered simply in pencil. The subtle gradation captures reflected light. Consider how the solid form contrasts with the skeletal outline adjacent, clarifying the design. Editor: I'm drawn to the implicit function of an andiron, typically used for holding logs in a fireplace. Ford offers us this humanlike figure supporting logs; I wonder if it’s about visualizing the labour and gendered experience, or celebrating it through a domestic context? In many cultures, the hearth is not simply about sustenance and warmth but it’s also imbued with social or spiritual meaning. Curator: A provocative point. Structurally, the geometric base counterbalances the softly modeled torso and head. I admire the composition’s economy. Everything contributes to the figure’s upright poise. We are grounded and stabilized visually by its simplified form. Editor: To add to that, look at the subject. It feels particularly pertinent to the interwar period and the rise of Fascism. With global unrest, artists often reflected upon national identity, progress, or idealized values. Mildred Ford uses that form in a domestic way: what could be cozier than logs burning? Curator: It's true that during that era many artists aimed for a renewed, idealized vision of culture through their artistic approach and presentation. Did Ford intend it? It remains up for discussion, but that's what makes the art piece so rich in contemplation. Editor: Absolutely. What seems initially straightforward reveals multiple interpretive possibilities and avenues for discussion, depending on how the observer chooses to confront and address its symbolism. Curator: Agreed. This concise pencil drawing proves deceptive in its conceptual magnitude. Editor: A brilliant drawing and conversation starter!

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