Waterval in het bos 1904 - 1905

Editor: Here we have Simon Moulijn's "Waterfall in the Forest," etched sometime between 1904 and 1905. It's incredibly detailed for a print, almost dreamlike, wouldn't you say? What's your take on this secluded corner of nature? Curator: Dreamlike indeed. It whispers of quiet observation, the artist's breath held as he captures the fleeting dance of light on water. I sense a reverence for nature here, a near-spiritual connection. Do you notice how the composition pulls you in, layer upon layer? Editor: Absolutely. The dense foreground gives way to the waterfall in the middle ground. The trees form a wall in the background, but without overwhelming. It is balanced. Curator: Precisely! There is balance but the mark-making is what intrigues me. Think of Moulijn, hunched over a copper plate, meticulously carving each line to capture the movement of water, the rough bark of the trees, the subtle play of light. It’s a testament to dedication. I get completely lost when I view the artist lost. What emotional note does the landscape evoke for you? Editor: Solitude comes to mind. But a comfortable solitude. It feels inviting rather than isolating. Maybe it’s because of all that detail that keeps you busy observing new things in the landscape. Curator: I think you hit upon it there. Solitude and the allure of observation. And that, in a way, reflects Moulijn's practice, wouldn't you agree? Art born of quiet moments and intense scrutiny. Editor: Yes! I will be spending some moments reflecting on my connection with nature. Thanks for a new perspective. Curator: A true gift, and my pleasure. It’s amazing to connect in shared discoveries through art.