print, woodblock-print
asian-art
landscape
ukiyo-e
figuration
woodblock-print
genre-painting
Dimensions height 387 mm, width 250 mm, height 386 mm, width 250 mm, height 385 mm, width 250 mm
Editor: So, this delightful woodblock print is called "Blindemannetje Spelen," created between 1792 and 1796 by Torii Kiyonaga. The scene just breathes everyday life, and everyone appears relaxed. How does this piece speak to you? Curator: It’s interesting you describe it that way. Considering this piece is an *ukiyo-e*, which means "pictures of the floating world," its casual and calm depiction of women becomes politically potent. Think about the context: These prints were commodities representing pleasure and beauty for a rising merchant class challenging the rigid social hierarchies. The women aren't just playing a game; they are embodying a shifting cultural landscape where leisure and individuality are increasingly valued. Do you see how it becomes more than just a charming scene? Editor: That's a complete shift of my original perspective, and definitely much deeper than what I perceived! So, the artist wasn't just painting daily life, but contributing to how society saw itself? Curator: Precisely! Kiyonaga wasn’t just reflecting society; he was actively shaping the narrative. By idealizing these women and depicting their leisure, he amplified the emerging cultural values. The print itself, made accessible through the medium, democratized this vision of beauty and leisure, making it available beyond the elite circles. And what do you make of the choice of a game like blind man's buff being depicted? Editor: Maybe the blindness symbolizes a deliberate ignorance of old hierarchies or a playful turn from social norms? Or perhaps even the blindness to political power that this "floating world" held? Curator: Interesting perspective! It shows that what appears as lighthearted artistry, can become a visual vehicle for conveying subtle messages that mirror the political dynamism. Hopefully you and our listeners gain from knowing that social forces affect both what and how artists communicate with their audiences. Editor: Definitely a learning experience! It makes me think differently about how art, like this *ukiyo-e*, operates within and influences its culture.
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