Es Pontàs en Santanyí by Alejandro Cabeza

Es Pontàs en Santanyí 2016

painting, plein-air, oil-paint, impasto

# 

painting

# 

impressionist painting style

# 

plein-air

# 

oil-paint

# 

landscape

# 

impressionist landscape

# 

figuration

# 

oil painting

# 

impasto

# 

geometric

# 

matter-painting

# 

post-impressionism

# 

modernism

Editor: So, here we have Alejandro Cabeza’s "Es Pontàs en Santanyí" from 2016. It’s an oil painting, a landscape done "en plein-air" which really gives it a fresh feeling, but the impasto also makes it feel quite solid. It's quite evocative, and almost otherworldly in its use of color and form, yet clearly represents a landscape. What do you see in this piece, looking at it through an activist's lens? Curator: What strikes me first is how Cabeza, even working within the plein-air tradition, subtly subverts it. While seemingly a straightforward landscape, the vibrant, almost Fauvist color palette challenges our expectations of natural representation. How does this deliberate artistic choice – deviating from realistic hues – inform our understanding of landscape painting as a genre rooted in historical power dynamics and colonial perspectives? Editor: That's fascinating! So, it's not *just* a pretty picture? Curator: Exactly! Traditionally, landscapes were commissioned by landowners, reinforcing social hierarchies. Cabeza, however, reframes the scene. The bold color disrupts that tradition and makes the landscape accessible. The very materiality – the thick impasto – further emphasizes the artist's presence, almost reclaiming ownership of the land through its artistic rendering. What stories might the vibrant colors and textures tell about the lived experiences of the people connected to this place, those often unseen and unheard in more conventional representations? Editor: It makes you consider the social dimensions beyond the picturesque scene, really makes you question the gaze of traditional landscape painting and who it was intended to serve. Curator: Precisely. By using a style like post-impressionism and embracing matter-painting techniques, Cabeza democratizes the scenery by redirecting attention to color and matter. Editor: I see how his individual touch adds a layer of depth. Thanks, I definitely have a new perspective now. Curator: And hopefully a more critical lens through which to view art!

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.