Park Village 

Frank Auerbach's "Park Village" assaults the senses with its thick application of oil paint, a technique known as impasto. Notice how this physical layering captures a sense of depth and restless energy. Auerbach’s approach here transcends mere representation. The forms in this painting teeter on the edge of abstraction. The composition is not conventionally balanced; rather, it uses a complex interplay of lines and color to create a dynamic tension. The color palette, dominated by earthy tones, adds to the painting's tactile quality. Consider this work in light of post-structuralist thought, which rejects fixed meanings. Auerbach's use of heavy impasto challenges traditional notions of painting as a window onto the world. Instead, the painting becomes an object in itself, drawing attention to its own materiality. The roughness of the brushstrokes and the ambiguous forms prevent any definitive reading. Thus, "Park Village" is not just a depiction of a place, but an exploration of how we perceive and interpret the world around us.