Portret van J. Hovius op 16-jarige leeftijd c. 1786 - 1788

Curator: Ah, here we have “Portrait of J. Hovius at the Age of 16”, a print made around 1786-1788. It’s an engraving, that intaglio process creates such lovely fine lines. Editor: There's an immediate intensity about him, despite the formal setting. He's almost caught off guard, don't you think? Those shadows beneath his eyes give the air of an older, perhaps world-weary soul trapped in youthful confines. Curator: Indeed. It’s interesting that it was made by Jacobus Buys. What sort of symbology do you read into it? Editor: Well, it's framed within that tondo shape, so familiar from classical antiquity – which points to Neoclassical influences. This isn’t just a likeness; it’s about positioning the sitter, young Hovius, within a particular cultural lineage, connecting him to those ideas. The choice to use black and white engravings speaks of morality and intellect rather than decadence and wealth. It’s so subtle but powerful, isn't it? It also notes that he died April 6 1786. The pose does resemble symbols from that period that mark memorial. Curator: That’s a piercing thought, thank you! His somber expression really adds to your vision, so moving and insightful. Editor: But there is also something inherently modern about this memorial in disguise of the portrait; that penetrating gaze feels so deeply human! Maybe it also offers insight into that strange mixture of grief, anxiety, and desire during youth. A powerful connection. Curator: It makes me wonder what Hovius was really like as a young man. What dreams or fears lived behind those somber eyes? Editor: Precisely! An artwork should linger long after we’ve moved on to the next. This one certainly does that.