Het hoofd van Johannes de Doper wordt naar Herodes gebracht by Cornelis Galle I

Het hoofd van Johannes de Doper wordt naar Herodes gebracht after 1595

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print, engraving

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narrative-art

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baroque

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print

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figuration

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history-painting

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engraving

Dimensions: height 225 mm, width 275 mm

Copyright: Rijks Museum: Open Domain

Editor: So, here we have Cornelis Galle I’s engraving, “Het hoofd van Johannes de Doper wordt naar Herodes gebracht,” or "The head of John the Baptist is brought to Herod," created sometime after 1595. It depicts a rather gruesome biblical scene. What really strikes me is the theatrical way everyone's arranged within the composition, a sense of drama. What do you make of this image? Curator: Indeed. Notice how the image revels in Herod’s spectacle – a potent symbol of power and decadence. This isn't merely a historical depiction, it's about the symbolic weight of justice, sacrifice, and the clash between spiritual integrity, embodied by John's head, and earthly authority. What do you think the presence of all these figures does to this symbolic weight? Editor: It definitely amplifies it. Having all these figures makes it more dramatic, more of a communal spectacle, I guess? But if it’s so theatrical, does that maybe distance us from the gravity of the actual beheading? Curator: Perhaps. But consider the visual language. The print seizes this distance precisely to convey that there’s been a break: The head is no longer attached to its body, it’s been severed, making John literally disembodied! This print visualizes an end to John's embodiment. Editor: Oh, wow. It’s like the print wants to emphasize the break between the physical and spiritual, right? Curator: Precisely. The Baroque loves to present spiritual moments with strong emotion, with visual power! But beyond that... Look at Herod's face. Is that victory? Is it unease? He ordered the death, but doesn't appear so happy about it, almost as though there are mixed feelings that will mark the collective conscience forever. It almost feels prophetic. What have you gained after our discussion? Editor: It definitely made me see that this engraving isn't just a historical depiction but a reflection of power, moral reckoning, and collective memory. Thanks. Curator: And you showed me that visual culture has an uncanny ability to create psychological distance and simultaneously foster emotional engagement!

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