Emperor Nintoku (Nintoku Tennō: Nihongi), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchō Circle (Honchōren honchō nijÅ«shikō), with poem by Isonoya Naonari c. 1821 - 1822

Curator: Here we have Yashima Gakutei’s woodblock print, "Emperor Nintoku," part of a series illustrating paragons of filial piety. Editor: It feels serene, almost melancholy. The muted tones and the figures’ introspective poses create a sense of quiet contemplation. Curator: Yashima, who was active in the early 19th century, likely used readily available pigments and woodblocks. Notice the poem inscribed above; it adds to the cultural context. Editor: The composition is interesting. The diagonal lines of the floor create depth, drawing the eye to the figures. The color palette seems limited, though the shapes of the garments are intriguing. Curator: The materiality speaks to the process of ukiyo-e printmaking, a craft deeply embedded in the social fabric of its time. These prints were accessible art for the masses. Editor: Ultimately, the piece resonates because of the human element captured. The emperor's pensive demeanor, the way he is situated in his chamber…it all adds layers of introspection. Curator: Indeed, and understanding the material and social conditions allows us to appreciate the artist’s achievement. Editor: It gives us more than just aesthetic value, it provides a glimpse into an era.