Bennington, Vermont c. 1924

John Marin's "Bennington, Vermont" is made with graphite and crayon on paper. These materials, common in both art and everyday life, democratize the artistic process, suggesting that creativity isn't confined to specialized studios or expensive materials. Marin's gestural approach, using quick strokes and overlapping colors, emphasizes the immediacy of the landscape. The texture of the paper becomes integral, influencing the crayon's application. This drawing reflects a shift towards abstraction in early 20th-century art, mirroring modern life's rapid pace. The social significance lies in its accessibility, both in material and technique. Marin's work challenges the hierarchy between high art and craft by elevating common materials and techniques to artistic expression. The marks are like traces of labor, reminiscent of quick notations or sketches that capture a fleeting moment. By embracing these humble materials, Marin democratizes art, making it part of everyday experience.