(Three Women with Bills for Sweets) c. 1789 - 1801

Editor: This ink and color woodblock print, "(Three Women with Bills for Sweets)" by Kitagawa Utamaro, likely created between 1789 and 1801, presents these figures with what I assume are bills for sweets! What strikes me is the composition. They're arranged almost like a pyramid, each face slightly tilted, but all directing attention. What do you see in this piece? Curator: From a formalist standpoint, the composition hinges on the interplay of line and form. The linear precision in the hair ornaments and facial features is counterpointed by the softer, more amorphous areas of the kimono patterns. Consider how the verticality of the sheets they hold interacts with the curvature of their hairstyles and shoulders. Editor: So, it’s a purposeful balance? I initially saw just pretty ladies. Curator: Precisely. Note the use of negative space surrounding the figures; how does this affect your perception of their relationship, and how does the tonal range of the inks contribute to the overall spatial depth, or perhaps the lack thereof? Is depth truly intended, or does the surface embrace flatness? Editor: Now I see it – it flattens everything. So the foreground, middle ground, and background exist, but kind of as one entity? I suppose that’s where I’m grappling. Curator: Grappling, excellent! The surface texture inherent to the woodblock technique itself is crucial. Are you not sensing this texture impacting your engagement? Close inspection might reveal variations in ink density and subtle misalignments in the color registration, creating a sense of movement. Editor: I’m now appreciating the precision of the lines much more, especially knowing this was a print. I also realize I was glazing over the color palette; I need to go back to better scrutinize. Curator: Indeed, viewing from different perspectives creates a more intricate understanding. I trust that you continue discovering these connections, furthering both your personal insight and expanding beyond just a generalized observation.