Sugar Bowl with Cover by Janet Riza

Sugar Bowl with Cover c. 1934

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drawing, watercolor

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drawing

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oil painting

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watercolor

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watercolour illustration

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watercolor

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realism

Dimensions overall: 28.1 x 22.6 cm (11 1/16 x 8 7/8 in.)

Editor: So, here we have Janet Riza's "Sugar Bowl with Cover" from around 1934, it looks like watercolor on paper. It’s strikingly purple! What are your initial thoughts about it? Curator: The use of purple immediately evokes notions of royalty and power. I think it would be interesting to explore this artwork within the context of the Depression era. During times of economic hardship, the domestic space and the objects within it took on added significance, especially for women artists like Riza. The careful rendering of this object, elevating the mundane to the regal, suggests an engagement with ideas around consumerism and aspirational culture, don’t you think? Editor: Definitely, that’s something I hadn’t fully considered. Is it a commentary or a celebration? Curator: I see it as more nuanced than simply one or the other. Perhaps it's a re-imagining of domesticity. We can see the patterns in the glass—suggesting a handcrafted item meant for middle-class consumers. The question becomes, what does it mean to create something so detailed, so meticulously observed, during this period? It speaks to labor and a certain kind of artistic resistance through close observation and perhaps also questions class structures during a difficult period for all Americans. Editor: It's like she's imbuing it with value, almost reclaiming power through something so ordinary. Curator: Precisely. Think about the act of representation itself as an act of empowerment. How can women artists, particularly during this time, leverage their unique perspective to challenge existing hierarchies and represent their own subjectivity? The choice to focus on a common household object transforms it into an assertion of presence and agency, reevaluating gender expectations and class distinctions. Editor: It’s interesting how something that seems so simple can reveal so much about its time. Thanks for that insight! Curator: Absolutely! I'm left wondering about Riza's intentions, which can lead to continued thought on female perspectives in art!

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