Intocht van Stadhouder Willem V  en zijn vrouw in Amsterdam 1768 by Johan George Holtzhey

Intocht van Stadhouder Willem V en zijn vrouw in Amsterdam 1768 1768

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metal, sculpture

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portrait

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neoclacissism

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metal

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sculpture

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sculpture

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history-painting

Dimensions diameter 3.3 cm, weight 11.49 gr

Curator: Alright, let’s consider this medal. It’s titled "Intocht van Stadhouder Willem V en zijn vrouw in Amsterdam 1768," which translates to "The Entry of Stadtholder William V and his Wife into Amsterdam, 1768.” Johan George Holtzhey crafted it from metal to commemorate the event. What's your immediate response to it? Editor: It feels rather cold, doesn’t it? Perhaps it’s the material. The profiles look stiff, almost like caricatures, rather than portraits meant to evoke warmth or connection. Very official. Curator: Official indeed. Medals were often commissioned for events of state and used to record the event for prosperity. Notice the style? The work aligns neatly within the conventions of neoclassicism, aiming for idealized representation and sober elegance. The very act of immortalizing figures on metal echoes a desire for enduring legacy. Editor: Yes, definitely that cold, eternal, 'official record' feel. The inscription, while informative, adds to the sense of distance. It is like it is screaming this very important historical moment will never be forgottten!!! Look, the symbolism of power, right? The profiles facing right, toward the future – at least, the future as they envisioned it. Even that angel on the opposite side feels more like a governmental seal of approval than something divine. Curator: An astute observation. Think of what rightward facing profiles would symbolize. Also, the presence of angels, what their presence communicate. These additions reinforce the notion of divine approval, linking earthly authority to celestial legitimacy. What about the cultural and historical undercurrents? Editor: The event itself is significant – Stadtholder William V entering Amsterdam. Think of what kind of imagery and memory it sought to cultivate in the people. You know? Were they accepted by the masses? It's a claim of power but also a careful act of public image-building through material culture. A political spin in solid form, so to say. Curator: Precisely. Through visual symbols, we decode not just an event, but also the aspirations and anxieties of a society at a given moment. Well, I have to say, exploring its symbolism together was like holding a conversation across centuries. A rather metallic one! Editor: I concur, Curator. Examining how the formal elements of the medal try to capture the event allows a deeper understanding of how power likes to present itself. A stern, enduring lesson from history!

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