Juke Joint by Benny Andrews

Juke Joint 1998

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painting, oil-paint

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portrait

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contemporary

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painting

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oil-paint

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figuration

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oil painting

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acrylic on canvas

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genre-painting

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portrait art

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modernism

Dimensions 76 x 57 cm

Curator: So this is Benny Andrews’s 1998 painting, Juke Joint, executed with oil paint. What catches your eye right away? Editor: That solitary figure bathed in light at the piano—there’s such a lonely feeling. As if they are the last musician left in the world and this performance is the only thing holding it together. Curator: I think that solitude is so vital to understanding Andrews' broader body of work. The painting feels deceptively simple but speaks to something so much larger than what is actually depicted. Editor: It feels staged almost, doesn’t it? A theater of one, a player acting solely for himself and his craft. Tell me more about that 'something larger' you mentioned. Curator: Andrews frequently depicts scenes of everyday Black life in the American South, emphasizing cultural identity and resilience through the interior world, where he offers viewers the space to contemplate private rituals and introspective experience. Editor: And he achieves such depth with this relatively flattened perspective. The colors and planes seem so deliberately positioned, all leading to this focal figure. Curator: The setting, though a bit generic, is intended to be symbolic. The “Juke Joint,” as a space, represents the safety and collective memory of cultural experience but Andrews focuses only on a lone pianist— perhaps to amplify the feeling of loss. The genre paintings created by Andrews are social records of an almost vanishing world. Editor: So this painting serves as both a documentation and an elegy? The bright light suggests a kind of celebration, maybe less about individual emotion and more a collective one…a communal hope? Curator: Exactly! You see how Andrews captures not just the scene, but the feelings—that tension between grief and celebration is palpable. Editor: Well, it’s an invitation, I feel, to remember our past, however joyful or sorrowful. Makes one consider their own seat at that piano. Curator: A seat we all need to take sometime. Thanks for sharing, your impressions really opened up how the space feels and communicates.

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