Charles Stewart Butler and Lawrence Smith Butler by Augustus Saint-Gaudens

Charles Stewart Butler and Lawrence Smith Butler 1880 - 1881

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relief, sculpture

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portrait

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relief

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charcoal drawing

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sculpture

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academic-art

Dimensions overall: 62.2 x 90.2 cm (24 1/2 x 35 1/2 in.) framed: 84.8 x 113 x 4.4 cm (33 3/8 x 44 1/2 x 1 3/4 in.)

Curator: Here we have Augustus Saint-Gaudens' relief, "Charles Stewart Butler and Lawrence Smith Butler," completed between 1880 and 1881. Editor: There's a quiet intimacy here. The subtle shifts in plane, the almost muted tone...it feels less like a statement and more like a memory being gently brought forth. Curator: I think it’s interesting to consider this work in the context of Saint-Gaudens’ time, as well as ours. Relief sculpture often served to memorialize figures of importance, usually men, so representing these young children can be interpreted as the artist suggesting an importance to childhood—which in this period was debated from the standpoint of gendered labor expectations as well as the advent of education as key to modern societies. Editor: Agreed. And formally, the overlapping figures create a cohesive unit, reinforcing this bond between them. Note how the light gently traces the curve of their faces, drawing our eye along the trajectory of their shared gaze. There's such meticulous attention to the textural detail. Curator: Exactly! The clothing's rendered to catch light and shadow; the difference in textiles seems intended. One might consider Saint-Gaudens subtly commenting on the cultural and social structures, such as family roles, influencing childhood development at this time. What I notice about this moment for American sculpture is a commitment to honoring the dignity of the human presence, rather than representing authority or victory, a democratizing moment in American portraiture that resonates into our time. Editor: I see it as almost more immediate: the shallow relief and subtle surface work contribute to this amazing sense of fleeting, transient quality: these children poised on the cusp of youth. The text above and below acts as almost a proscenium, framing the subjects. And again, this very effective formal mechanism serves to amplify, almost consecrate, this passing instant of youth. Curator: Well said. I appreciate the layering of interpretations possible with this portrait—how the individual lives of these young people invite considering broader histories, policies and societal dynamics around education and family—while their subtle individual emotions offer room for each viewer to personally connect with their representation here. Editor: Precisely, a confluence of masterful construction yields this enduring meditation of fleeting youth.

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