Untitled 1944

This print by the collective Kukryniksy uses ink on paper to depict a war scene. The approach to mark making is quite graphic, like a comic or political cartoon, with an economy of line. What strikes me is how the artists use very thin lines to create a sense of depth and distance, like in the cityscape. It’s almost like they are drawing with wire, bending and shaping it to create these forms. The dark areas are filled in with solid black ink, creating a strong contrast. It’s a bold, graphic statement, but the lightness of touch in the linework gives it a sense of humor. I’m reminded of the work of Philip Guston, who also used cartoonish imagery to address serious subjects. But where Guston’s work is messy and visceral, this print is clean and precise. It’s a testament to the power of drawing as a form of political commentary. It proves that art doesn’t have to be complicated to be effective.