Revue de la Mode, Gazette de la Famille, dimanche 17 juin 1883, 12e annee, No. 598: Toilettes de M.on Duboys (...) by A. Chaillot

Revue de la Mode, Gazette de la Famille, dimanche 17 juin 1883, 12e annee, No. 598: Toilettes de M.on Duboys (...) 1883

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Dimensions: height 375 mm, width 268 mm

Copyright: Rijks Museum: Open Domain

Curator: Here we have a lithograph print titled "Revue de la Mode, Gazette de la Famille" from 1883 by A. Chaillot, showcasing contemporary fashion. Editor: My immediate impression is one of contained energy, almost a poised stillness. The detailing in the dresses is captivating, yet there’s a reserved quality, a quiet elegance about them. Curator: Yes, the artist really uses line and the repetition of forms to guide your eye across the surface of the image. Take, for example, the layering of the skirts, creating visual texture that complements the flat areas of color. Note also how line segments are closely packed to represent the shadowing to model form, notably in the brown dress. Editor: The dress on the left, the one in shades of brown and coffee, definitely exudes an air of maturity and perhaps even restraint, whereas the pastel blue dress on the right evokes images of spring with its delicate patterns and light and airy demeanor. This could also be indicative of how ideals of feminine beauty changed over time. Curator: The symbols woven into these fashions point to the broader social landscape. The feathers and ornate hats atop each figure serve not only as ornamentation, but signifiers of status, announcing one's belonging within a particular social circle. They underscore the visual grammar of privilege. Editor: It also represents the changing cultural views on feminine roles. What I also find intriguing is that this wasn't just about fashion; these prints were tools that reflected a growing consumer culture that saw people engage more deliberately with visual media that shaped the zeitgeist. Curator: Precisely, it gives an interesting look at the structure within art itself and reflects upon its structure as a form of commentary. Editor: It serves to understand that cultural shifts are intertwined with social expression; each piece holds meaning waiting to be unpacked. Curator: Very insightful.

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