Portret van geleerde David Jorissen by François van Bleyswijck

Portret van geleerde David Jorissen 1681 - 1746

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engraving

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portrait

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baroque

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caricature

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engraving

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realism

Dimensions height 173 mm, width 131 mm

Editor: So here we have "Portrait of the Scholar David Jorissen," a Baroque engraving dating back to somewhere between 1681 and 1746, created by François van Bleyswijck and housed in the Rijksmuseum. My first impression is... intense beard! But also, there's something almost modern about his gaze. What do you make of this portrait? Curator: Ah, yes, David Jorissen! Or as I like to call him, the Renaissance hipster. The beard is certainly… a statement. And you're right, there's an intensity, almost a defiance, in his eyes that transcends the centuries. But consider the engraving itself, the delicate lines meticulously carved. What story do you think that intricacy tells? Editor: I guess it shows dedication to detail, wanting to really capture the subject's essence? Almost photographic, despite being an engraving. Is that Baroque realism maybe? Curator: Precisely! It's about capturing not just likeness, but status, intellect. He was a controversial figure, a spiritualist. That hat, that voluminous beard—they’re symbols of his identity. But the artistry, the precision, elevate him. Do you think this image humanizes him or, in a way, canonizes him? Editor: I think it walks the line. It’s intimate because of the detail, but the formality keeps him somewhat distant. Definitely makes me want to know more about him, though. Curator: Exactly! The best portraits pique our curiosity. This piece isn't just about looking at David Jorissen; it's about wanting to understand him. He's not just a beard and a hat, but an invitation into a complex history. It whispers of rebellion, intellectual pursuits and above all, his individuality. It makes you wonder about all the stories that line might be hiding behind that knowing glance. Editor: I'll never look at a beard the same way again! It really makes you consider how much we communicate, even centuries later, through a simple image. Curator: And that’s the magic of art, isn't it? Finding those unexpected connections, unearthing those little stories.

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