Metalen buste van de heilige Pantalus van Basel by Jakob Höflinger

Metalen buste van de heilige Pantalus van Basel before 1862

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metal, sculpture

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portrait

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byzantine-art

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medieval

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metal

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sculpture

Dimensions: height 210 mm, width 139 mm

Copyright: Rijks Museum: Open Domain

Curator: The work before us is a metal bust of Saint Pantalus of Basel, crafted sometime before 1862 by Jakob Höflinger. Its medieval style is very prominent, hearkening back to Byzantine art traditions. Editor: It feels stern and majestic. The rigid frontality, the weighty materiality of the metal, and that elaborate crown combine to create a figure that projects authority. The craftsmanship in the beard and face seems so simple and monumental. Curator: Indeed. Metalwork held particular significance within religious and secular medieval contexts. The choice of material reflects a desire for permanence, to embody a timeless presence of Saint Pantalus as both an ecclesiastical figure and one of significant local standing. Editor: And you can clearly see the emphasis placed on the geometric regularity. Note the patterned crown; then note the symmetry around his nose, how the features on the left side echo those on the right. It’s as if form mirrors purpose. Curator: We must also remember the significance of relics within religious structures in this region, with their socio-political influence throughout Basel. While details on Saint Pantalus's life are obscured by time, the bust signals this enduring power over the collective conscious. Editor: The texture draws me in further. There’s the subtle roughness of the cast, alongside this highly burnished effect overall, suggesting how people interacted with and valued it through touch and worship over generations. Curator: That's a valuable point. By focusing on how it might have engaged audiences during its lifetime, its symbolic intent and continued role across history becomes increasingly relevant to present audiences. Editor: Thinking about how viewers engaged with this metalwork gives me a newfound respect for Höflinger’s capacity to work on many registers: design, narrative and effect. It’s far more than just some simple statue. Curator: Exactly, and observing its ongoing value through present analysis helps deepen understanding and dialogue about historical impacts, and their potential within current sociopolitical environments.

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