Crock by John Fisk

Crock c. 1953

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drawing, ceramic, watercolor, earthenware

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drawing

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water colours

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ceramic

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watercolor

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earthenware

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stoneware

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coloured pencil

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earthenware

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decorative-art

Dimensions overall: 29 x 23 cm (11 7/16 x 9 1/16 in.) Original IAD Object: 14" high; 10 1/4" in diameter

Editor: So, here we have "Crock," circa 1953, a watercolor drawing of earthenware, by John Fisk. I'm immediately drawn to the muted colors and the somewhat quaint depiction of the flower on the pot. What social commentary do you think we can explore in it? Curator: It’s interesting how this drawing engages with the concept of the decorative arts and the way such objects were viewed in mid-20th century America. Think about it: Why choose to depict a commonplace object, like a crock? Was there a renewed interest in folk art or traditional crafts that Fisk might have been tapping into? Editor: That's a really great point! Maybe it’s a commentary on mass production creeping in, an appreciation for handcrafted items on the verge of fading away? Like, elevating this humble object through art... Curator: Exactly! This raises questions about art’s role in preserving cultural memory, of signaling class distinctions or making political statements through consumption. The simple floral decoration too. Is that just decorative, or is Fisk pointing toward a kind of regional identity through those specific floral choices? Editor: Hmm, I hadn’t considered regionalism, but that makes sense. It’s more than just a pretty flower; it speaks to something deeper about identity and place, opposing to, say, a machine-made flower. So, do you think exhibiting works like this influences how we value craftsmanship today? Curator: Absolutely. Placing this “Crock” in a museum context invites viewers to reconsider the social life of ordinary things and how artists participate in shaping our understanding of material culture and challenging traditional notions of fine art versus craft. It reminds us that these categories aren't so clear cut. Editor: I'm definitely walking away with a new perspective, seeing beyond the simple image to a deeper understanding of social history within the strokes of this lovely art piece! Curator: Likewise! Thinking about art as more than aesthetic objects, but also historical documents makes me appreciate the curation process so much more.

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