Z.V.H. den Soesoehoenan en Goesti Kangdjeng Ratoe Hemas en B.B. ambtenaren bij het bezoek aan de sociteit in Rembang 1933
photography
portrait
faded colour hue
aged paper
homemade paper
pale palette
reduced colour palette
muted colour palette
white palette
paper texture
photography
folded paper
orientalism
paper medium
Dimensions height 216 mm, width 288 mm
Editor: So, here we have a photograph from 1933, titled "Z.V.H. den Soesoehoenan en Goesti Kangdjeng Ratoe Hemas en B.B. ambtenaren bij het bezoek aan de sociteit in Rembang." It shows a group of people in what seems to be an official gathering. What stands out to me is how the image feels both formal and a little faded, like a memory. What do you see in this piece? Curator: It’s a fascinating image, isn't it? Beyond the formal portrait, I see layers of power dynamics at play. Consider the setting – a "sociteit" or society hall, likely a colonial institution. The Javanese royalty, the Soesoehoenan and Ratoe Hemas, are present with Dutch B.B. officials. Notice how they’re positioned. What does it tell us about the relationship between colonizer and colonized at this moment in history? Editor: Hmm, I see what you mean. The Europeans are flanking the local rulers. It’s subtle, but definitely suggests a hierarchy. Curator: Exactly! And who gets to decide who’s remembered, and how? Editor: I guess it’s the photographer who captured it, framing that version of the story? Curator: Precisely! So the photograph becomes a visual document, shaping our understanding, and potentially reinforcing or challenging existing power structures. Editor: It’s making me think about whose gaze this photo caters to, and how it affects how the subjects present themselves. Thank you, I’m understanding how to look at this on many levels. Curator: Absolutely, keep questioning these visual representations! This photo speaks volumes about a complex moment, about identity and about who has the agency to represent it.
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