Brennus legt zijn zwaard op de weegschaal by Ludwig Gottlieb Portman

Brennus legt zijn zwaard op de weegschaal 1794

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drawing, ink, pen

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drawing

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neoclacissism

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narrative-art

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pen sketch

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pencil sketch

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figuration

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ink

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pen

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history-painting

Dimensions: height 141 mm, width 84 mm

Copyright: Rijks Museum: Open Domain

Curator: Here, on display at the Rijksmuseum, is Ludwig Gottlieb Portman's 1794 drawing, “Brennus legt zijn zwaard op de weegschaal.” Portman rendered this historical scene using pen and ink. Editor: My gut reaction? It's a little theatrical, don't you think? All that gesturing and posing. Like a freeze-frame from a play where someone's about to drop a massive truth bomb. Curator: That "theatricality" aligns with the Neoclassical movement’s emphasis on moralizing narratives drawn from history. This piece depicts an episode during the Gallic sack of Rome. Brennus, the Gaulish chieftain, demanded a ransom. When the Romans complained about unfair weights, Brennus supposedly threw his sword on the scales, symbolizing further demands. It's a narrative laden with themes of Roman humiliation. Editor: Ah, see, I missed all that historical heavy lifting! I was too busy picturing the poor artist, Ludwig, meticulously sketching each furrowed brow. It’s a story about power and pride, literally weighed in the balance. But there’s also a subtle dark humor – the barbarians driving a hard bargain and calling out their greed on an industrial scale. Curator: Exactly. And Portman's choice of pen and ink heightens the drama, the stark contrasts mirroring the conflict. Also, thinking about performativity, the focus on male dominance and leadership plays out. Editor: You are so right. Now I can almost smell the ink and the clashing cultures in that little drawing! And as the icing of that layered cake, notice how all characters are men: a statement by itself. Curator: Indeed. This piece invites conversations about the historical depiction of conflict, masculinity, and the burdens of conquest. Editor: A surprisingly resonant little sketch with a massive historical burden – quite a bit of ironic comedy for something crafted with delicate lines and probably just one very focused, very pale, artist in some Dutchy atelier.

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