Miss Eicle, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes 1885 - 1891

Editor: Here we have a print titled "Miss Eicle, from the Actors and Actresses series" by Allen & Ginter, dating from around 1885 to 1891. What strikes me is the tension between the formal portraiture and its origin as an advertisement on a cigarette card. It’s such a unique artifact, and the composition, with Miss Eicle perched somewhat awkwardly, creates an odd sense of…expectation, perhaps? What do you see in this piece, from a formalist perspective? Curator: Let's begin with the structure. Note how the artist utilizes a predominantly vertical orientation, dictated by the format of the cigarette card. The composition is divided into three distinct horizontal bands: the architectural backdrop suggesting a stage, the figure of Miss Eicle, and the textual information relating to the advertising. This stratification imposes a hierarchical reading. Furthermore, observe the limited palette. The subdued hues emphasize the line and form of the figure. The details are rendered with efficiency; minimal modelling is used to define the planes of the body. Editor: So you're focusing on how the artist uses lines and limited colours? Curator: Precisely. Consider the application of line to delineate Miss Eicle's costume versus its use in depicting the architectural details. The textures created and implied by these linear strategies perform a clear aesthetic function. What this image gains by its simplicity is particularly notable given the excess often employed by artists working during the period. Do you agree that we should read value in the restriction of palette and descriptive articulation of form? Editor: Yes, I see that now. The restrictions force you to concentrate on form, on what's really there. It makes this commercial art more engaging. Curator: Precisely. A fascinating synthesis of commerce and compositional considerations, wouldn't you agree? Editor: Definitely! I've learned so much by observing this portrait from the formal elements in its making. Thanks!