Amor wordt onderwezen by Gilles Demarteau

Amor wordt onderwezen 1732 - 1776

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print, intaglio, engraving

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portrait

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allegory

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print

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intaglio

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old engraving style

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portrait drawing

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golden font

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engraving

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rococo

Dimensions: height 428 mm, width 332 mm

Copyright: Rijks Museum: Open Domain

Curator: This delicately rendered print, titled "Amor wordt onderwezen," which translates to "The Education of Cupid," was created by Gilles Demarteau sometime between 1732 and 1776. Demarteau was renowned for his engraving work. Editor: It’s charming, really. The oval composition, the soft lines – it evokes a sense of gentle intimacy. The textures in the draped clothing and Cupid’s downy wings are particularly impressive, considering it's an engraving. Curator: Indeed. Demarteau’s mastery of the intaglio technique really shines here. Beyond its aesthetic appeal, this image encapsulates the Rococo era's fascination with classical mythology, filtered through a very particular social lens. Editor: I see that Rococo influence in the curvilinear lines and ornate details. Tell me more about that 'social lens.' Curator: The allegory is quite pointed. Here, Cupid isn’t firing arrows randomly; he is being taught, educated in the art of love by a well-dressed woman, probably depicting Madame De la Bage as a dedication. It speaks to the societal emphasis on proper conduct and refinement during the Enlightenment. Love, even in its allegorical form, was to be cultivated and controlled. Editor: The dove imagery reinforces that, I suppose – those symbols of peace and devotion carefully placed. But looking at Cupid, perched on the woman’s lap and diligently reading a scroll… his gesture strikes me as very calculated. It adds a complex layer, beyond the purely sentimental. Curator: A delicious irony, isn't it? Demarteau successfully marries the elegance expected of the Rococo with commentary on the constructed performance of affection itself, hinting that even love can be an act. Also, consider the market for prints like these: accessible luxury items that spread ideas and reinforce social values amongst the burgeoning middle class. Editor: I see how this print would serve not only as decor but also as a talking point within educated households. Considering the careful tonal gradation achieved through line variation, this is also a solid formal composition which helps with relaying its complex socio-political intentions. Curator: Precisely. These dialogues with art provide fertile ground for analyzing art through the lenses of structure, reception and historical interpretation. Editor: Agreed. Every careful look unveils hidden narratives that enhance both visual language and social meaning.

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