Portret van Herman Fangman by Hendrik Ringeling

Portret van Herman Fangman 1848

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drawing, print, engraving

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portrait

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drawing

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print

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engraving

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realism

Dimensions height 507 mm, width 365 mm

Curator: Ah, here we have a rather striking piece: an engraving from 1848 by Hendrik Ringeling, titled "Portret van Herman Fangman". Editor: Wow, a formal kind of portrait. I’d say the overriding mood here is serious. Pensive, maybe even a little melancholy. He has that 19th-century intellectual stare down perfectly, doesn't he? Curator: Precisely! Ringeling's command of line and texture creates a convincing sense of depth, imbuing Fangman with a palpable presence. Note the contrast between the smoothness of his face and the intricate hatching defining his jacket. Editor: Definitely, that fine hatching gives texture to the sitter's clothing but does give the work an austere feeling. And I’m really drawn to how the light falls across his face – the shadows seem carefully placed to highlight his features. But even so it feels kind of cold to me, too posed. Curator: Indeed. The books on the desk also act as signifiers of intellectual pursuit, aligning the sitter with attributes of scholarly activity, of reason and insight. The engraver, therefore, presents Fangman in the context of thoughtful achievement. Editor: True, they are neatly placed almost like stage props. Almost, to give that 'thinking man' impression, everything feels carefully considered in this composition, very proper and staged. Not a fly out of place! The details though like the subtle light, makes one wonder who Herman Fangman actually was... Curator: An astute observation. It invites further inquiry into Fangman's life. These portraits are always intriguing documents offering a lens onto societal values of the time, their aspiration, and the sitter’s own sense of identity, perhaps. Editor: Right, the sitter has taken all the right sartorial cues to give us this exact perception. It's like they have handed us the exact picture they wanted us to have, carefully constructing themselves to be perceived a certain way for posterity! So in its own way this carefully posed seriousness, is maybe revealing in and of itself. Curator: Agreed, that’s a rewarding perspective, in many ways offering new insights regarding this study.

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