Historische voorstelling van een veldslag by Pieter de Josselin de Jong

Historische voorstelling van een veldslag 1871 - 1906

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drawing, charcoal

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drawing

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charcoal drawing

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figuration

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charcoal

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history-painting

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academic-art

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realism

Dimensions height 343 mm, width 237 mm

Editor: This is a charcoal drawing called "Historical Representation of a Battle," made between 1871 and 1906 by Pieter de Josselin de Jong. The dramatic shading creates a really intense, almost claustrophobic feeling. What symbols stand out to you in this piece? Curator: I see a composition wrestling with ideas of heroism versus the brutal reality of war. Note how the central knight, poised mid-strike, dominates the foreground. The fallen figures clustered around him, though, suggest a darker undercurrent. The sword is the prominent symbol, acting as the primary element of division. Editor: Division in what sense? Curator: Both physical—the violent severing of life—and ideological. Consider how swords, throughout history, have represented not just military might, but concepts like justice, leadership, and even divine authority. De Jong seems to be presenting these symbols, but not celebrating them. Do you think there might be an alternate, perhaps less overt symbol? Editor: Maybe the slumped bodies are important, too? They’re definitely hard to ignore, and perhaps represent the commoners, while the knight stands for something elevated? Curator: Precisely. The fallen can symbolize vulnerability and the cost of conflict borne by the masses, an interesting challenge to more straightforward, heroic depictions of combat. Consider how academic art, even when striving for realism, often romanticized historical events. De Jong seems to complicate this. Editor: So he is pointing at how war damages a culture, not just the lives of individuals. I suppose the emotional memory, the trauma, gets passed on, too. Curator: Exactly. It appears that what he shares most with us isn't a celebration of any moment of combat, but the long term cultural and psychological burden from that history. Editor: This makes me rethink what "history painting" is really trying to convey. It's about more than just the battles. Curator: Indeed. Symbols help us unpack history's multifaceted influence.

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