Plate 2: various figures carrying out tasks that include tying a sack and loading a horse 1655 - 1665

Editor: This engraving, "Plate 2: various figures carrying out tasks that include tying a sack and loading a horse," by Pietro Santi Bartoli, created between 1655 and 1665, is filled with dynamic energy! The composition is quite intricate; what formal elements stand out to you the most? Curator: Indeed. The insistent linearity first strikes me, the parallel hatching articulating musculature and texture, creating a surface tension that’s almost palpable. Consider how Bartoli uses line to define not only form but also spatial relationships, particularly within the shallow depth of the picture plane. How do you feel this linearity affects the overall reading of the piece? Editor: I see what you mean. The density of the lines creates areas of strong contrast, almost flattening the forms despite the clear attempt to render volume. It seems to emphasize the surface of the print itself rather than creating a deep illusionistic space. Is that intentional? Curator: Precisely! Bartoli is consciously drawing attention to the constructed nature of the image. He's less interested in mimetic representation than in the artifice of the engraving itself. The strong horizontality also divides the scene, creating a sense of structured activity, wouldn’t you agree? Editor: That’s interesting! Now that you point it out, I see the organization of forms; however, the dynamism and linearity distract the eye. What would you say Bartoli aimed to portray with this engraving? Curator: Formal complexity. The subject matter appears secondary to an exploration of line, form, and the possibilities inherent within the printmaking medium. Its visual effect resides in its self-conscious artistry rather than anecdotal narrative. Editor: I’m walking away with a deeper appreciation of form and artistry. Thank you for helping me unpack the engraving! Curator: The pleasure was all mine! Close looking always reveals fresh insight.