Flat Iron Holder c. 1937

Editor: We’re looking at "Flat Iron Holder," a watercolor drawing on paper made around 1937 by Fritz Boehmer. It's an image of what looks like a metal stand, with a central design that has an eagle perched above a heart. The whole thing has a surprisingly decorative, almost patriotic feel to it. How do you interpret this work? Curator: The image, though seemingly simple, provides insight into the intersections of craft, design, and socio-political messaging during that period. What purpose did decorative arts serve at this moment, and who was its intended audience? The choice of the eagle motif, so close to the heart, brings to mind American nationalism, particularly in the interwar period. Editor: So, the artwork's function within its social context becomes paramount? I wouldn't have initially focused on nationalism looking at a simple design. Curator: Exactly. It prompts us to consider the public role of art and design. Everyday objects are rarely neutral. Who might have commissioned or purchased such a piece? Was this meant for a domestic space, subtly promoting certain values? Think about how mass production made decorative items more accessible. What kind of market was Boehmer targeting? Editor: Interesting. Considering the social context adds a new dimension to my understanding. It moves past just aesthetic appeal. The item itself is really humble, yet these themes make it loom large. Curator: Precisely. Now, considering Boehmer, researching his involvement within institutions of that time could reveal the forces that molded this illustration. Editor: I’ve learned that everyday objects can hold so much more weight when viewed through their historical context. It makes you wonder about the politics embedded in all the things that surround us today. Curator: Absolutely. Art like this isn’t just decoration, but a silent participant in broader societal conversations. Understanding this helps us become more aware viewers.