Head of a Poilu 1919 - 1920

Andre Dunoyer de Segonzac made this etching titled 'Head of a Poilu' using the etching technique, which involves using acid to corrode the lines into a metal plate. I can imagine the artist hunched over the plate, his hand moving in small, controlled gestures to create the network of lines. The marks feel like the artist is scratching directly onto the surface of the plate. The lines vary in thickness and depth, creating a rich texture and sense of depth. I find myself thinking about the artist, Segonzac, and his place in the history of art. What conversations was he having with other artists of his time? What ideas was he grappling with? And how do those ideas continue to resonate with artists today? It’s like we’re all in this ongoing conversation, exchanging ideas and inspiring each other’s creativity.