Portret van een onbekende vrouw, zittend in een tuin by Laurens Lodewijk Kleijn

Portret van een onbekende vrouw, zittend in een tuin c. 1865 - 1900

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photography

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portrait

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still-life-photography

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self-portrait

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photography

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genre-painting

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realism

Dimensions height 89 mm, width 59 mm

Curator: So here we have a portrait photograph dating roughly from 1865 to 1900, titled “Portret van een onbekende vrouw, zittend in een tuin”—Portrait of an unknown woman, seated in a garden. The photographer is Laurens Lodewijk Kleijn. Editor: Wow, it’s like a ghost stepped out of a Victorian novel. It’s almost ethereal, right? All that white. It looks less like a document and more like someone trying to catch a dream. Curator: The realism of photography combined with portraiture traditions does indeed bring an element of perceived ‘truth’ into dialogue with staged representation. Her identity, lost to history, amplifies the portrait's potential to represent universal experiences of womanhood. The garden setting, juxtaposed with the studio-like quality of the image, blurs boundaries between the domestic and the public. Editor: You're so right! It's totally staged, even the way she holds her hands feels performative, like she was asked to pose 'naturally'. I wonder about her story. Was she happy? Or just trying to fulfill societal expectations in that very still moment? And look at that bonnet—I can almost feel the weight of it, both literally and figuratively. It’s intriguing how something intended to record reality ends up prompting so many questions about identity and the pressures placed upon women. Curator: I appreciate that you notice the performative nature of this work and its implications for women. Gender roles and expectations are encoded not only in her clothing but also the conventions surrounding photographic portraiture itself, especially at a time when visibility was linked to respectability, power, and, in many ways, an assertion of existence in the historical record. Editor: Precisely! Which makes me think of all the anonymous women who never got their picture taken. Okay, enough existential spiraling. Let’s just agree it’s a beautifully haunting piece that gets you thinking! Curator: Indeed, it encapsulates so much of that late nineteenth century tension, its negotiations of representation, class, gender, and visibility—all contained within this seemingly simple, quiet image.

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