Lazarus' opvækkelse 1851 - 1855

This is Georg Christian Freund's relief sculpture, Lazarus' opvækkelse, currently held at the SMK here in Copenhagen. This artwork, which shows the biblical episode of the resurrection of Lazarus, engages with a long history of religious art, but also the social conditions in 19th century Denmark. In that period, the church held significant sway over social and political life. By depicting a miraculous event, Freund's work subtly reinforces the power of religious institutions and the stories they promote. The piece is carved in a neoclassical style, which was common in European art academies. It visually echoes ancient Greek and Roman sculptures. This aesthetic choice places the biblical narrative within a broader historical context, and may align the artist with conservative tastes dominant in the Danish art establishment of the time. Understanding the complex interplay between art, religion, and social norms requires careful historical research. By consulting archives, theological texts, and contemporary accounts, one can fully appreciate the social and institutional context that shapes the artwork.