Dom Carlos probeert een duel te voorkomen by Jean-Antoine-Valentin Foulquier

Dom Carlos probeert een duel te voorkomen 1878 - 1879

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drawing, print, paper, engraving

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drawing

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narrative-art

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print

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paper

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genre-painting

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history-painting

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engraving

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realism

Dimensions height 105 mm, width 128 mm

Editor: This engraving from 1878-79 by Jean-Antoine-Valentin Foulquier, titled "Dom Carlos probeert een duel te voorkomen," depicts three figures in what appears to be a tense encounter in a wooded area. What symbols or cultural references stand out to you? Curator: Immediately, the attire signals a specific historical period. Consider the puffed sleeves and feathered hats; what emotional connections might viewers of that time have had to those symbols of status and class conflict? Does it suggest something about the perceived honour among the noble class? Editor: I see what you mean. So, beyond just depicting a scene, the artist uses the characters' clothing to tell us something about the social context. How does the setting itself play into the symbolism? Curator: The forest, often a site of hidden meetings or potential danger, amplifies the emotional intensity. Duels, of course, carry a powerful weight in history— a symbol of conflict resolution, or lack thereof, within the gentlemanly culture. Foulquier cleverly places it within this ambiguous setting. Does the presence of trees and shadows affect how we perceive their intentions and character? Editor: That's a great point. It’s not just a disagreement; it’s a secretive, potentially violent act unfolding in the shadows. I almost get a Romeo and Juliet kind of vibe. Is it supposed to echo that era's culture of violence and also codes of honor? Curator: Precisely! It encourages us to consider these deeper narratives, to examine not only what is visually apparent but also what cultural memories it evokes, in an anthropological sense. Were honor duels about resolving conflicts, or were they displays of male ego and social power, as the image insinuates? Editor: I never considered how clothing and location could carry so much symbolic weight. This makes me think differently about the visual language artists use to construct meaning. Curator: Indeed. By observing, and considering historical symbols, images come to life by evoking historical emotional meanings.

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