Vaas met polychrome decoratie van paarse en rose bloemen aan een stengel by N.V. Plateelbakkerij Zuid-Holland

Vaas met polychrome decoratie van paarse en rose bloemen aan een stengel c. 1915

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ceramic, earthenware

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organic

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art-nouveau

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ceramic

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earthenware

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decorative-art

Dimensions height 14.6 cm, diameter 8.4 cm

Curator: This vase, created around 1915 by the N.V. Plateelbakkerij Zuid-Holland, exemplifies the Art Nouveau style through its use of earthenware and polychrome decoration. What strikes you about its design? Editor: It's instantly calming, almost melancholic. The muted palette—the subdued purples and rosy pinks against the dark greens—creates a very specific mood. The form, too, is interesting; quite geometric, especially when you consider the organic subject matter. Curator: Precisely. Art Nouveau, despite its organic inspiration, often embraced industrial techniques and, here, the geometric form provides an interesting counterpoint to the floral motif. Plateelbakkerij Zuid-Holland was significant in popularizing Art Nouveau in Dutch ceramics. Editor: And the floral motif itself... It’s not realistic. These aren't botanical studies. They're stylized, flattened, almost decorative symbols of flowers. Notice how the stem wraps almost uniformly up the vase and blooms near the opening. The artist is exploring forms within a limited plane. Curator: Right. These decorative arts served a crucial function in democratizing access to art. Affordable and mass-produced, ceramics such as these brought artistic expression into everyday life for the Dutch middle class. How would its setting have shaped the vases appeal to patrons? Editor: A point well-taken. By emphasizing this aestheticism, artists turned common items into conversation pieces that reflected the owners taste. Curator: Yes, they mirrored an increasing sense of nation and refinement. And considering the socio-political context of the era with looming WWI this piece may reflect a longing for a time of renewal and organic beauty in the face of industrialized warfare. Editor: Interesting consideration. Reflecting back on our points about material and formal technique, the interplay of somber tones with floral representations created something to value outside all these concerns. Curator: Absolutely, whether a commentary or refuge of thought, the artist of this earthenware created something intriguing to enjoy reflecting upon within and beyond their immediate setting.

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