Portrait of Major-General John E. Wool 1856 - 1858

Editor: This is Stephen William Shaw's "Portrait of Major-General John E. Wool," painted with oils sometime between 1856 and 1858. There's such a directness to the general’s gaze that's captivating. What stands out to you most in this piece? Curator: The first thing that tickles my fancy is the almost defiant rigidity of his posture, juxtaposed with the vulnerability suggested by the slight tremble in his lower lip. Don’t you find it hints at the weighty responsibility etched on his soul? He's clearly got presence but I feel as though he also embodies the old saying that uneasy lies the head that wears a crown, or in this case, a general's epaulettes. Editor: I see what you mean. There’s a weariness around his eyes that hints at a story beyond the uniform. Do you think the artist intentionally captured that duality? Curator: Absolutely! Shaw seems to capture not just the external likeness, but an interior world in turmoil. The romantic spirit really leaned into that interiority. Look at how the gold detailing practically vibrates, as if mimicking the internal struggle beneath his composed exterior. Do you find that this choice evokes in your a deeper curiosity? Editor: Yes, definitely! I also notice the darker background almost forces your eye towards him, he seems caught in a kind of liminal space. It really prompts me to consider the role of military leaders at that time. Curator: A delicious observation. Art is as much about feeling as seeing isn't it? Next time I stroll past, I might just wink at the good General, see if he winks back. Editor: (laughs) I never thought of portraits that way before, that's wonderful. Thanks for helping me explore it.