Doorgekraste schetsen van een staand en een zittend figuur 1848 - 1927

August Allebé made this sketch of two figures, one seated and one standing, on paper using graphite. His art education in the 19th century focused on mastering the human form through rigorous sketching and drawing, often from live models. The figures' identities are ambiguous; they are rendered in simple lines with minimal detail. The seated figure adopts a relaxed posture and seems self-assured. The standing figure is positioned with her back to the viewer, emphasizing her isolation. Allebé's approach to these sketches goes beyond mere academic exercise; they suggest a search for genuine expressions and the nuances of human presence. The rough lines and erasures reveal the artist's process of exploration and decision-making. While these figures don't directly challenge traditional gender norms, they offer a glimpse into the artist's personal observations and reflections on human form. There's an emotional authenticity in the depiction of the figures. This challenges viewers to look beyond traditional representations and consider the emotional and experiential aspects of the subjects depicted.