Miliaresion of Michael VII Doukas and Maria of Alania c. 1071 - 1078

Curator: This silver coin, a Miliaresion of Michael VII Doukas and Maria of Alania, at the Harvard Art Museums, has such a worn, humble presence. Editor: I see it as a tangible symbol of power and faith, diminished by the passage of time, yet still echoing those themes. Curator: Indeed. On one side, the Emperor and Empress stand flanking a patriarchal cross. The cross rises from steps, signifying Golgotha. What do you make of this imagery? Editor: I see the construction of legitimacy. Michael VII, not born into power, visually associates himself with divine authority, while simultaneously showcasing his marriage to a foreign princess. A bid for stability, perhaps? Curator: Precisely. These coins were circulated widely, embedding these carefully curated images into the visual landscape of the Byzantine world. The symbolism would have resonated, reinforcing the Emperor's authority. Editor: The image of the couple invokes the symbolism of family and tradition to consolidate dynastic power. It speaks volumes about how rulers throughout time manipulate imagery for political ends. Curator: A testament to the enduring power of symbols. Editor: Even in miniature.