David Delivered out of Many Waters c. 1805

Editor: This is William Blake's "David Delivered out of Many Waters," currently residing at the Tate. The watercolor and pen washes evoke a sense of ethereal drama. What catches your eye from a formalist perspective? Curator: The composition is striking, isn't it? Note how Blake uses the vertical thrust of the angelic figures to contrast with the horizontal plane of the turbulent waters and David below. The symmetry, though imperfect, creates a balanced tension. Do you observe how the color palette, primarily muted greys and browns, serves to highlight the illuminated figure at the apex? Editor: Yes, the figure at the top is definitely the focal point, enhanced by the contrast. It seems almost like a visual hierarchy. Curator: Precisely. Blake masterfully manipulates form and color to create a symbolic representation of deliverance and divine intervention. The textural variations, from the smooth washes of the figures to the chaotic lines of the water, further amplify this effect. Editor: That's fascinating! I hadn't considered the textural contrasts so explicitly. It adds another layer to the emotional impact. Curator: Indeed. By examining these formal elements, we gain a deeper appreciation of Blake's artistic vision.