Grayling, from the series Fishers and Fish (N74) for Duke brand cigarettes 1888
drawing, lithograph, print
drawing
lithograph
Dimensions Sheet: 1 7/16 × 2 3/4 in. (3.6 × 7 cm)
Curator: Good morning. Today we will be examining the 1888 lithograph, "Grayling," from the "Fishers and Fish" series by Knapp & Company, originally created as promotional cards for Duke brand cigarettes. Editor: My first impression is one of cool elegance. The muted, almost pastel colors create a serene aquatic world. The fins seem to dance, as if the fish is suspended mid-movement, its dynamism a fascinating element considering this is a still image, only a print. Curator: Absolutely. Note the artist's skillful rendering of the grayling's anatomy, and, of course, the almost hyper-realistic representation of its scales, contrasted with the soft background suggesting water plants. There's a wonderful juxtaposition of detail and broad suggestion. The artist wants you to believe this is no ordinary fish. Editor: Yes, the composition really draws the eye. That large, iridescent dorsal fin is almost theatrical. Though initially, it appears serene, the placement of this form at the pinnacle suggests it is dynamic, vibrant, even celebratory. I’m particularly struck by the commercial nature of the piece itself. Imagine this, slipped into a pack of cigarettes, attempting to suggest...what, exactly? Luxury? Escape? Curator: Certainly, a link between consumerism and a higher class pursuit. The “Fishers and Fish” set would imply the consumer participates in sport and leisure. Such sets allowed companies to brand association with idealized, culturally-valued concepts. But it also betrays a shift in industrial visual production. Editor: And beyond just marketing strategies, it’s a commentary on societal aspirations of the period. These were products designed to be collected. Each one must then be considered alongside all the other imagery available in contemporary mass culture. To build such associations within this frame, using popular science, leisure, and class... Curator: Agreed, and I believe we’ve begun to decode its interwoven complexities. Seeing this commercial print—it's no mere pretty picture—rather, it becomes a symbol laden with meaning when placed within its socio-cultural context. Editor: Precisely, revealing not just an image of a fish, but a fish caught in a net of commerce and societal desires. A subtle piece, perhaps, yet dense with visual language.
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