Untitled by William Merritt Chase

Untitled c. 1886

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drawing, plein-air, pastel

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portrait

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drawing

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figurative

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impressionism

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plein-air

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figuration

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possibly oil pastel

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oil painting

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pastel

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portrait art

William Merritt Chase captured this pondering figure in pastel. Her pose, with hand to face, echoes the classical gesture of melancholia. Consider the ancient Greeks, who attributed this pose to deep thought or sorrow. We see it reappear through the ages – in depictions of philosophers, saints in mourning, and even in allegorical figures representing states of mind. Think of Michelangelo's figures of the Medici tombs: a very similar gesture reveals a brooding introspection. Why does this posture endure? Perhaps it speaks to a universal human experience: the weight of thought, the burden of reflection. The subtle inclination of the head and the gentle support of the chin create a closed circuit of introspection. It’s a posture that invites empathy, drawing us into the sitter’s private world. This timeless gesture taps into our collective memory and touches something profoundly human within us all. The pose is not static but dynamic.

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