Ludvig Holberg 1734 - 1766

Editor: Here we have an engraving from between 1734 and 1766 entitled "Ludvig Holberg," currently held at the SMK in Copenhagen. It’s a detailed figural composition that gives an austere impression through the cool, linear precision of the engraving technique. What strikes you most about this piece? Curator: The formal qualities immediately stand out. Consider the engraving technique itself. The density of the lines creates areas of shadow and light, modeling the forms of Holberg, the figure below, and the surrounding barrel. The linearity defines the shapes, giving a certain graphic quality to the image. How do the artist’s choices in applying line contribute to your understanding? Editor: The lines define the subject. There's an interesting contrast in the texture. The barrel looks solid but artificial because of how precise the lines are, and the figures look life-like yet flattened against it. Does that linear quality and this flattening align with the conventions of the period? Curator: Absolutely. The consistent width and spacing create a pattern, a visual rhythm throughout the composition, characteristic of engraving. But look more closely. How does the composition use symmetry and asymmetry to balance the elements? Is it wholly successful? Note that in the composition Holberg’s head, while inside the frame, is cropped out ever so slightly to the edge of it; how does that asymmetry make you feel when you compare this to the figure and canine underneath Holberg’s face which rest nicely within their bounds? Editor: Now that I see what you’re pointing to, I feel some tension within the otherwise symmetric presentation. Almost like I'm trying to balance something on a fulcrum and I'm losing the battle. The image asks you to slow down and to inspect closely its qualities in a dialogue of its internal forces! Curator: Precisely. This visual tension, achieved through subtle imbalances in form and line, reveals the dynamic relationship between representation and pure artistic form inherent in engravings like this. It’s more than just a portrait; it is the execution and careful balance of the technical elements that define this work.