Rebus: 'No, Morny is not dead for he is marrying again' 1866

Editor: So, here we have Charles Meryon's etching from 1866, "Rebus: 'No, Morny is not dead for he is marrying again'". It's… curious, to say the least. Almost like a little puzzle box of images. What do you make of it? Curator: Ah, Meryon! A deliciously tormented soul. To me, this print sings a strange song of satire and social commentary. Notice how each vignette seems disconnected yet contributes to the overall rebus? He’s playing with visual language, inviting us to decode the meaning, a commentary, perhaps bitter, on Morny’s supposed symbolic ‘resurrection’ through remarriage. Editor: So, Morny was someone of note then? Curator: Indeed! Charles de Morny was a prominent French statesman. This print, with its enigmatic composition and veiled symbolism, dares to mock the powers that be, a bold statement rendered through meticulously detailed lines. What emotions does this provoke for you? Do you find it witty or biting? Editor: It feels both witty and a bit cynical, actually. I wasn’t sure if I was supposed to find it humorous or something else! Curator: Perhaps Meryon intends for us to feel that duality. Art often thrives in that space between amusement and unease. Isn't that what makes it so captivating? The images are also dream-like. Editor: Definitely makes you think! It's much more than just a picture. Thanks for making this click for me. Curator: My pleasure! Meryon’s work always benefits from slowing down, letting the images brew. It's like whispering secrets if you’re willing to listen.